This mode is for color balancing your individual shots. We’ve already covered the layout and tools in each of these interfaces, but now we’re going to look at them in terms of workflow order. The steps in the workflow are right at the top of the interface: Basic Correction, Color Matching, Final Grade. But Cinema Grade has a specific workflow that, when used, is very powerful and efficient. You’ll love it just for adjusting the hues of objects in your shots. You can use Cinema Grade however you want, obviously.
The interface cleverly hides tools so that the image is the biggest thing in the interface, as it should be. There’s so much more to Cinema Grade than meets the eye, and we mean that literally. Does this make Cinema Grade any less of a professional tool? Absolutely not! Anyone doing color grading can benefit from Cinema Grade.Īt the end of the day, regardless of user skill level, once you “buy in” to Cinema Grade’s approach to color grading, it’s blazing fast! Especially for making isolated hue adjustments.īut let’s not get ahead of ourselves just yet.
COLOR FINALE MAC TORRENT SOFTWARE
It’s the color grading software of tomorrowĬinema Grade is targeting individuals-filmmakers and video creators-as opposed to the professional editing and color grading market. In fact Cinema Grade claims professional results without the “pain and frustration” of traditional color grading tools. Cinema Grade identifies itself as a “modern color grading software for the independent filmmaker.” Two things you can glean from this marketing statement:Ĭinema Grade is going to look and feel more progressive than the color tools you’re used to.
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